Visiting the Museum
Coming into the Dickens House Museum, the visitor may well feel the atmosphere of the house, for great care was taken to retain its character, especially on the ground floor and on the stairs, while making more obvious adaptations for the museum on the first floor. The right-hand side of the building, thought to be Tudor, was once a cottage facing towards Dumpton. The archway in the hall was the entrance to the cottage and the old winding stairs beyond. The left-hand side is judged to be Carolean (James II - Queen Anne). The whole was joined and re-fronted at the end of the Georgian period with the early Victorian crinoline balcony added later.
Starting in the front room one finds items that once belonged to Charles Dickens and the pictures displayed are of his time. The Mahogany sideboard, sold by him in 1855 to John Thomas Green, a solicitor, was bought by the Tattam family in 1919, and left to the town, as was the fine collection of prints by H. K. Browne (Phiz), one of Dickens's principal illustrators.
Over the years items have been presented to Broadstairs and the museum, as well as to the Dickens Fellowship. These items include the writing the writing box, a gift from John Forster, his lifelong friend and biographer. Pride of place might well go to the letters written by Charles Dickens from or about Broadstairs. They extol the virtues of "Our English Watering Place" and urge his friends to join the household at the seaside.
The next room has more Dickensian memorabilia and opens into the gift shop. After leaving the shop at the far end, immediately on the left is the archway that was the door to the Tudor cottage. Beyond are the two rooms, which have been rebuilt. In the first are commemorative items as well as later illustrations of Dickens' characters. In the far room the display of 'Old Broadstairs' and a large panorama of the London of Dickens' childhood.
Returning to the hall the visitor will find the parlour. This room, described by Dickens and illustrated by H. K. Browne (Phiz) are well know to the readers of David Copperfield. The cupboard in the corner is recognied as the 'press' from which Miss Betsey brought out the concoctions she poured down the throat of young David, when he arrived at her home after running away from London. The wallpaper, printed by Coles, wallpaper specialists, is an early 19th century design.
The rooms on the first floor have a display of costume and Victoriana as well as a feature on 'Our English Watering Place'. It was in 1851 that Charles Dickens wrote this affectionate record of the town and its inhabitants. This was to be one of his last visits to Broadstairs.
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The momentous interview in Aunt Betsey's parlour
(by Phiz) |